Art Nouveau Daum Nancy Glass Bowl w/ Rowan Berry Motif, signed 4"

This exquisite quadrilobed bowl by the Daum Brothers is a fine example of French Art Nouveau glasswork, embodying the brand’s signature use of natural themes and advanced decorative techniques. Crafted in the early 20th century, this piece showcases Daum’s intricate cameo glass technique, where multiple layers of glass are skillfully acid-etched to reveal rich, detailed designs. The bowl features an enchanting autumnal motif with finely detailed leaves and clusters of rowan berries, painted in warm amber, orange, and soft green hues, set against a subtly frosted background that adds depth and softness to the composition.

This cased glass bowl is crafted with a base of milk-white, greenish-yellow, and oxblood-red powdered inclusions, accentuated with enamel fusions in shades of white and green. The rowan berry motif is further enhanced with delicate enamel detailing, capturing a lifelike texture and color gradient that beautifully illustrates the artistry of Daum’s glassmakers. The gently flowing rim of the bowl complements the organic theme, adding a natural, soft curvature that enhances the overall design.

Based in Nancy, France, Daum gained renown for pioneering acid-etched glass, layering techniques, and finely painted enamel details, which made each piece a unique work of art. This bowl, signed “DAUM NANCY” along with the Cross of Lorraine in relief, attests to the authenticity and high quality that have made Daum one of France's most esteemed glassmakers. The combination of etching, enameling, and powdered inclusions in this piece showcases the exceptional skill and precision required to create such masterpieces.

This Daum Nancy bowl is ideal for collectors and anyone looking to elevate their decor  with a touch of Art Nouveau charm. Both functional and decorative, it would look stunning displayed on a sideboard or table, infusing any space with warmth and artistry.

Read more in "Daum Maîtres verrier, Lausanne 1980", see p. 77, drawing by Henri Bergé, the motif was first executed in 1902.